(Tucumán, Argentina, 1973)

Through an interdisciplinary practice that merges art, architecture, science, and ecological activism, Tomás Saraceno imagines and proposes new ways of inhabiting the world. His works, often immersive and collaborative, invite us to rethink the relationships between humans, non-human species, and the planetary environment.

Driven by a post-anthropocentric vision, Saraceno creates aerial installations, floating sculptures, and web-inspired networks that serve as living metaphors for interconnection and cohabitation. His work questions dominant models of production, mobility, and spatial perception, offering sustainable alternatives rooted in the poetics of the air.

One of his central concerns is the creation of new social and environmental ecologies. With projects such as Aerocene, Saraceno proposes fossil fuel-free modes of mobility, engaging communities, scientists, and activists in a collective and critical experience. The sky, atmospheric phenomena, and the vibrations of the natural world become sites for aesthetic and political exploration. Saraceno’s artistic production is in constant dialogue with the planet as a living, ever-evolving network.

He currently lives and works between Berlin.